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$599.00

Gibson Les Paul Studio Faded Electric Guitar Cherry + Gig Bag & Stand


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gibson les paul studio 454042608887119470 Gibson Les Paul Studio Faded Electric Guitar Cherry + Gig Bag & Stand

Selling my LIKE NEW Gibson Les Paul Studio Faded Electric Guitar in Cherry incl. Gig Bag & Guitar Stand

Price was 869 incl. taxes
and 30 bucks for the stand

No signs of use whatsoever - it's a great guitar!!!


Just selling it cause I need the cash!

Pick up in Manhattan, UES - you can try it out

680 fix price (899 new)


 


I don't offer shipping because I don't know how to ship a guitar. This one never left my house and I only had it for a couple of months. So it is PICKUP IN NEW YORK CITY (Manhattan)


IF you would like to have it shipped contact me BEFORE you buy it to talk to me about your options, it would be completely your responsibility


 


 




Gibson Les Paul Studio Faded Electric Guitar; A no-frills studio guitar with all the tonal characteristics you love in a Les Paul.
Get your fill of Traditional Les Paul performance. The Les Paul Studio has long been the choice of studio musicians everywhere, thus the name Studio. Giving your standard Les Paul a a modern, no-frills attitude makes this Gibson a sought after delight with an easy-going price-tag. The Les Paul Studio has become one of the most desired Les Pauls for its tremendous harmonic and sonic capacities, coveted by musicians from all genres of music.

Gibson Les Paul Studio Faded Features

Newly Designed Mahogany Back with Maple Cap
'50s Rounded Neck Profile
Angled Headstock
Adjustable Truss Rod
Baked Maple fingerboard for Worn Brown and Worn Cherry, Obeche fingerboard for Blue Stain and Ebony Stain
Nickel and Silver Alloy Fret Wire
Trapezoid Inlays
Set-Neck Construction
Chambered Body
Gibson Burstbucker Pro Pickups
Tune-O-Matic Bridge
Nitrocellulose Finish
Gibson Logo

'50s Rounded Neck Profile
No guitar neck profiles are more distinguishable than the neck profiles employed on the Gibson models of today. The more traditional '50s neck profile--found on the Les Paul Studio--is the thicker, rounder profile, emulating the neck shapes of the iconic 1958 and 1959 Les Paul Standards. The neck is machined in Gibson's rough mill using wood shapers to make the initial cuts. But once the fingerboard gets glued on, the rest--including the final sanding--is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its respective profile, each neck will be slightly different, with a distinct but traditional feel.

Gibson's Burstbucker Pro Pickups
Gibson's drive to recapture the magic of the original Patent Applied For humbucker pickups of the 1950s culminated with the introduction of the Burstbucker line in the early 1990s. Those Burstbuckers--Types 1, 2, and 3--successfully captured the subtle variations of true, classic humbucker tone with historically unmatched bobbin windings and Alnico II magnets. In 2002, Gibson followed up this innovative accomplishment with yet another breakthrough in pickup design--the Burstbucker Pro, designed specifically for the Les Paul Standards.

The Burstbucker Pro features an Alnico V magnet (instead of the Alnico II), which offers slightly higher output and allows preamps to be driven a little harder to achieve a more natural break-up. Like all Burstbuckers, the Burstbucker Pro has asymmetrical coils--true to the original PAFs--which supply a more open sound. The Burstbucker Pro Neck is wound slightly less than the original PAFs, while the Burstbucker Pro Bridge is slightly overwound for increased output. The Burstbucker Pro pickups are also wax potted to allow loud volume pressures with minimal feedback. As with all Gibson pickups, every part is precisely manufactured at Gibson USA in Nashville, Tennessee, insuring tight, seamless fittings, and superior workmanship.

Mahogany Back and Maple Top
There isn't anything more critical than the matching of the Les Paul's mahogany back with its mahogany cap, as well as the regimen involved in selecting the right wood and the formula to dry it out. First, the wood is personally inspected and qualified by Gibson's team of skilled wood experts before it enters the Gibson factories. Inside the Gibson factories, humidity is maintained at 45 percent, and the temperature at 70 degrees. This ensures that the wood is dried to a level of equilibrium, where the moisture content does not change during the manufacturing process. This guarantees tight-fitting joints and no expansion, and controls the shrinkage and warping of the wood, in addition to reducing the weight. It also improves the wood's machinability and finishing properties, and adherence to glue. Consistent moisture content means that a Gibson guitar will respond evenly to temperature and humidity changes long after it leaves the factory.

Chambered Body
There's something about playing a guitar with perfect tone, balance, and weight. One of the ways the expert craftsmen at Gibson USA achieve this equilibrium is by carving carefully mapped-out chambers in the Les Paul's solid mahogany back using a Computer Numeric Controlled (CNC) router before the Mahogany top is glued on. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument's sound. So, in addition to relieving the stress on a player's back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance.
Collapse Specifications and additional product information for:
Gibson Les Paul Studio Faded Electric Guitar Specifications

Body
Top: Maple
Back: Mahogany
Body Type: Chambered Weight Relief
Adhesive: Franklin Titebond 50
Neck
Species: Mahogany
Profile: 50's Style
Truss Rod: Traditional Adjustable
Joint Angle: 5° (+/- 15 seconds)
Adhesive: Franklin Titebond 50
Neck Fit
Joint: Mortise and Tenon
Adhesive: Franklin Titebond 50
Joint Angle Tolerance: +/- .005 inches
Fingerboard
Species: Baked Maple for Worn Brown and Worn Cherry. Obeche for Blue Stain and Ebony Stain
Frets: 22
Radius: 12 inches
Nut/E.O.B: 1.695/2.260 inches
Inlays: Figured Acrylic Trapezoids
Nut
Material: Corian
Width: 1.695
Slots: Gibson PLEK System
Headstock
Logo: 'Gibson' Logo with scripted 'Les Paul Model'
Truss Rod Cover: Black and White Antique Bell with 'Studio' Imprint
Tuners
Model: Grover Tuners with Vintage-Style Green Keys
Plating: Nickel
Tuning Ratio: 14:1
Bridge
Type: Nashville Tune-O-Matic
Material: Zamak
Plating: Chrome
Tailpiece
Type: Stop Bar
Material: Zamak
Plating: Chrome
Hardware
Knobs: Black Speed Knobs
Pickguard: Black plastic
Toggle Switch Washer: Black plastic
Control Plate Cover: Black plastic
Strap Buttons: Aluminum
Pickups
Neck Position: Burstbucker Pro
Bridge Position Burstbucker Pro
Electronics
Potentiometers: 2 Volume Controls, 2 Tone Controls
Type: 300k Linear Volume, 500k Non-linear Tone
Coil Wiring: Machine Wound
Toggle Switch: Three-way Switchcraft with Black Plastic Tip
Output Jack: Traditional 1/4 inch


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